I still remember cracking my knuckles and sitting down to write my first ever piece as a B2B copywriter (long before I joined HN, I hasten to add), for my friend’s business home page. It was beautiful, it was inspiring, and the words were so sparkly, you needed shades to read them.
She hated it.
I’m sure I’m not the only fledgling writer to have thought it would be a great opportunity to flex their creative muscles, only to find out that writing is a much more scientific process than they realised. Fortunately, I heeded my own advice by turning that failure into a learning experience, and making sure my friend loved the second draft.
Choosing the wrong person to create content for your business can cost you precious time and money, not to mention endless frustration. Here’s what that ideal person isn’t:
• Precious — they need to be able to take feedback and criticism on the chin. Creating engaging copy is a collaborative process and can take several iterations. I once heard of a writer who received some negative feedback and sobbed down the phone to her client that her birthday was ruined. The client told me that if she’d simply asked what was wrong and fixed it, she’d have given her more work.
• Perfect — many of us are perfectionists (it’s in our nature), but we have to rein that in, or we’d never finish a job. Neither will the perfect writer single-handedly transform your business: teamwork is key.
• A grammar pedant — obviously, you want your copy to be written to a high standard, but you don’t want someone tying themselves up in knots over ancient grammar rules. Language evolves over time, and it’s much more important that your words help to engage the reader.
• And they’re not necessarily English graduates either (although they can be). While there’s a significant overlap of skills, it doesn’t follow that a novelist or poet can write B2B copy, or vice versa. The biggest difference is the need to inject the copy with the client’s personality, not your own.
So what does make a good B2B copywriter? Well, here’s what we love our writers to be:
• A storyteller. Long gone are the days when clients were happy to scour a datasheet to figure out whether you could solve their problems. And there’s no better way to engage potential customers than by creating a hero they can identify with.
• Knowledgeable about your industry and up to date with the latest developments. We’ve found that having people from an engineering/IT background (as well as English grads) has helped open doors for us — clients don’t worry that there’s going to be a steep learning curve.
• Champion of the brief. No B2B copywriter should sit down to write without a very clear brief. A good writer will help their customer hammer out the details of the brief as necessary, and will challenge assumptions to ensure that ultimately the content will do its job well (which may include overcoming potential scepticism from the target audience). Once the brief is agreed, your writer should help you keep it safe from unhelpful and unnecessary detours that prevent the piece from achieving its objectives.
• Consistent and calm. Most people find their creativity waxes and wanes but when writing is your living, you sometimes have to sit down and write when you don’t feel like it.
If this has inspired you to do some copywriting yourself, you might want to check out this post we prepared earlier about how straight-talking can make your messages more powerful. And if you need help creating copy that sparkles in a good way, give us a call on 01628 622187.
Last year, campaign.co.uk published this article about how Goldman Sachs is investing in an automated copywriting startup. Naturally, this got all the human copywriters here at HN to wondering whether our jobs were about to be lost to robots.
Although the boss assured us that there were no immediate replacement plans, the question remains – does AI copywriting have a future in B2B marketing?
Come on… really?
Even in an age of VR, where the digital world is inching closer and closer to the physical, the ability of robots to take over creative jobs sounds a little far-fetched.
But it’s definitely being worked on; Google’s AI has written some eerie, haunting short poems, and has beaten a grand master at Go, widely believed to be the most complex game ever devised. And there are the incredible feats that IBM’s Watson is pulling off, from cooking up a storm to saving lives.
So why shouldn’t AI be able to match human writers when it comes to B2B copy?
After all, we can do quite a lot to define the sales funnel or buyer’s journey that we hope to move targets through. Our job is to match solutions and messaging to stated (or assumed) customer needs at various points on their journey, and both halves of this equation (solutions/messaging and needs) seem amenable to being specified for the AI.
We can also point to loads of examples of good B2B copywriting for AI to learn from.
And as I sit here with a cold while my computer perches contentedly on the desk, one of us seems rather obviously to be a far more resilient worker…
The rise of the machines?
But I’m not panicking — yet. Because what is possible in principle is perhaps not so much in practice — yet.
Rarely do we receive a brief that is completely unambiguous in intent and complete in every respect. Because, frankly, composing such a brief is time-consuming and our clients are busy people. So they’re looking for us to connect lots of dots by ourselves, and to clarify where necessary through the faster and more efficient process of having a conversation.
Asking even the cleverest computer to reliably identify gaps and then pick up the phone to ask questions feels like a very tall order right now. Maybe in a few years I’ll have to reassess, but right now I’m feeling pretty secure.
What would be cool is access to an AI copywriter to use as an additional tool in my copywriting toolkit.
I’m thinking of how Watson’s recipes work best when filtered through the judgement of a human cook. And of how machine translation can make the lives of translators easier, but rarely works well enough without human post-editing. I can see how a robot copywriter might help me think of options I’d not have found on my own, and that could help me become a better writer.
So bring on the robot copywriters; I’m not scared… yet.
A great quote can give a piece of writing impact and emotional context, making it more compelling for the reader (as this case study demonstrates). But many people struggle to give you a quote that packs a punch in just a few words. If you don’t want your brochure, case study or presentation to lag, you may want to shorten a wordy customer quote. Sounds straightforward enough, but people get nervous about how to do it properly. So let’s take a look at abridging quotes.
Deleting words: the ellipsis
If you’re removing some words from your quote, simply replace them with an ellipsis (…).
Jon at HN says, “Agency life is fantastic because it’s so fast-paced and the clients are so varied; you’re always working on something new and exciting.”
Jon at HN says, “Agency life is fantastic… you’re always working on something new and exciting.”
Adding or replacing words: the square brackets
If you need to add words for clarification, you put square brackets around the words you’re adding. They can even replace the words you’re clarifying, like so:
Jon at HN says, “It’s fantastic because it’s so fast-paced and the clients are so varied; you’re always working on something new and exciting.”
Jon at HN says, “It [agency life]’s fantastic … you’re always working on something new and exciting.”
Jon at HN says, “[Agency life]’s fantastic … you’re always working on something new and exciting.”
See also: The importance of punctuation
Use with caution
Simple as it may be to abridge quotes from a formatting perspective, it’s important to remember that your abridged quote needs to still carry the same meaning as the full quote. Sometimes including or excluding one word too many can change the meaning of your quote. Revisiting our example above, changing:
Jon at HN says, “Agency life is fantastic but challenging, because it’s so fast-paced and you’re always working on something new.”
Jon at HN says, “Agency life is fantastic … you’re always working on something new.”
Isn’t right – you’ve changed the meaning of the original sentence from a qualified endorsement of agency life to a wholehearted one, somewhat distorting Jon’s views in the process.
Clarifications also need to be treated with caution to preserve the meaning of the sentence. Changing “Agency life is fantastic.” to “[HN] is fantastic” would, sadly, be straying too far semantically to be an acceptable reflection of what Jon said (though working at HN, of course, IS fantastic; the sentence is perfectly true).
Should you bother?
If you’re finding it hard to make a quote fit your purpose, one option is simply to rewrite it – as long as you make sure the person you’re attributing the quote to approves it. It’s common practice in B2B copy to convey the sentiment and meaning of what someone originally said, but using language that is perhaps plainer, or more specific, or more emotional than originally expressed — then get them to approve the new form of words. We generally find that those we talk to are happy to have their sentiments expressed more concisely and clearly, to make their point more effectively.
For more advice on tweaking your language to give it more impact, check out our blog on straight-talking (and discover why Simon Cowell and President Obama are more similar than you might think). Or get in touch and let us see if we can help you convert your lengthy prose into converting content.
There’s a growing trend in B2B marketing that is often expressed in brand guidelines as ‘write the way you speak’ or ‘use a conversational style’. This signals a big shift in B2B tone of voice that I think is great news (for reasons given below). But I also think it’s worth keeping two things in mind as we embrace this change:
1. Context is everything.
2. A friendly tone of voice is no substitute for having nothing to say.
Why ‘write the way you speak’?
The traditional B2B voice — serious, formal, often long-winded — was all about building trust through institutional authority and heritage. But as marketing has moved online and become entangled with blogging, tweeting and other social trends, the old voice no longer does its job.
In a more social context, trust doesn’t derive from stiff, cold authority. It comes from openness, honesty and warmth. And this is why businesses increasingly want to be associated with a more plain-spoken, friendly tone of voice – even when speaking to other businesses. Most of our clients have been moving in this direction for some years, and the trend is picking up pace.
This is great news for B2B marketers and writers because, at long last, we have permission to treat our audience as human beings who respond to human qualities in writing. We can leave dull, convoluted language behind and tell stories that use a more varied range of tools to engage, educate and sell.
Be careful of context
My first caveat about ‘write the way you speak’ is perhaps too obvious to state, but for the sake of completeness, here it is. Clearly, people speak in different ways in different contexts. So which ‘way that I speak’ should I be using when I write a piece of B2B content?
What I should be doing, surely, is writing the way my audience speaks; or, more specifically, the way they want me to speak in the context in which I’m addressing them. A CIO may be quite sweary when he’s down the pub and be perfectly happy for his friends to swear at him. That doesn’t mean he’s happy for his bank manager to swear during a business conversation, or for an IT service provider to do so in a blog.
As shorthand for ‘be human, be genuine’, the advice to write the way we speak is just fine. But obviously brands need to provide more complete, specific guidance to avoid forms of communication that are inappropriate to the context and the audience.
Don’t forget the message
The second, more serious, point that I want to make about the shift in B2B tone of voice is this. We need to be careful not to become so caught up in an exciting new style that the marketing focus becomes all about tone rather than the message or content being conveyed.
However well we ‘write the way we speak’, if there’s not a worthwhile, interesting and valid message beneath the words, our audience will see right through us. After all, the whole shift in voice is driven by a more canny audience, looking for an honest and open connection. Content that dresses up marketing hype in language carefully crafted to sound friendly and transparent is the opposite of what they’re looking for.
But as long as we have something of substance and value to say, ‘write as you speak’ should help us to sound like human beings rather than faceless organisations when we say it. Which is a very good thing indeed.
They’re an unlikely pairing we know, but Barack Obama and Simon Cowell have at least one thing in common — their straight talking. Barack Obama’s perception as honest, trustworthy and intelligent may have been crucial in his presidential campaigns, while Simon Cowell is both revered and reviled for his no-nonsense feedback to musical wannabes.
Their direct, confident approach plays a big part in building public confidence, as does their avoidance of rhetoric. An ancient art that was considered a noble accomplishment for many centuries, rhetoric is used to persuade and inspire. Unfortunately, nowadays it is frequently prefaced by ‘empty’ and is associated more with politicians and spin doctors than with compelling argument.
Although rhetorical flourishes can be useful in persuading someone to see things in a particular way, when they’re used on weak messages, they can appear disingenuous or even nonsensical — especially in B2B marketing. This example is from a software company advertising a seminar:
“…gathering leading minds in business intelligence and the analyst community for expert consensus on the answer. Industry experts will highlight how you can leverage business intelligence to provide visibility into business critical information.”
If you consider the message, all it actually promises is information about how to use information to get… information.
A better strategy in B2B copywriting is to get straight to the point in understandable plain English — talk about your product or service simply and clearly and you’ll be on the right track. Best of all, plain speaking for B2B messages is easy to achieve. Just follow these simple rules:
- Use short sentences containing only one main idea
- Never use a long word when a short one will get your message across more powerfully
- Avoid jargon, clichés, acronyms and management buzzwords whenever possible
- Favour Germanic words over Latin — say ‘each year’ instead of ‘per annum’
- Be active — say ‘we will do it’ rather than ‘it will be done’: active verbs bring a document to life and are a lot easier to understand
- Be definite — if at all possible, use ‘will’ not ‘can’
- Be brief — your readers will appreciate it, and there will be more of them
We’d love to know what you think. Share your ideas or jargon horror stories in the comments below, on Twitter or LinkedIn.
At this time of year, we know we aren’t the only ones bending the bard to our own devices— especially as this year marks the 400th anniversary of the great playwright’s death. But bear with us, because we genuinely believe that Shakespeare was… a content marketer. Content marketing may not have been ‘a thing’ back in the 1600s, but Shakespeare employed techniques that wouldn’t be out of place in today’s B2B marketing world. For your consideration, here are three pieces of evidence:
1: He made the complex comprehensible
There’s no disputing that Shakespeare was a master of illuminating the depths of human emotion and interpreting complex social situations for the audience. While B2B marketers rarely have to include cross-dressing princesses or matters of kinghood in their content, the heart of our work is no less about taking complex propositions and rendering them intelligible for our audience.
2: He was an entertainer
He may be a literary figure today, but Shakespeare wrote primarily to make money through entertainment. His prolific creativity was driven by a need to keep a steady income — so he was after the summer blockbuster, not the arthouse film. Our business audience might be more niche than mass-market, but the challenge of attracting and holding their attention is as pressing for us today as it was for Shakespeare back in the day. Nobody wants to plough through content that “will last out a night in Russia, when nights are longest there” (Measure for Measure, Act II scene i).
3: He spoke to multiple stakeholders
Shakespeare’s audience comprised newcomers and loyal followers, just as we have prospects and customers. And just as we have multiple targets with different needs (in tech marketing, for example, the CIO, the IT manager, and the end user), so Shakespeare wrote for both the general public and the nobility (even the royal family). He succeeded brilliantly in catering to their differing tastes – and also in flattering the rich so that they’d continue to patronise him (which was a good thing back in those days). Learning how to please multiple audiences is surely a task worthy of William himself.
Shakespeare for marketers
We’re continuing the fun with Shakespeare on our Twitter feed, where we’re asking you to identify the play that we’ve taken a popular quote from – with the quote altered to reflect the world of B2B content. So if you’ve got some time on your hands, why not head over to @hnmarketing and take a look?
Listicles — bulleted lists of information presented as an article — are a great way to engage today’s time-poor readers. But have you ever stumbled on one that feels like it’s missed the point?
You know the kind: “Top 250 PR stunts” or “61 social media tips you don’t know about”. Listicles are designed to make the information they contain accessible, but there’s a fine line between achieving that and turning your readers off – sometimes before they’ve even clicked the link.
So how can you keep your listicle on the straight and narrow? We’ve come up with a few ideas to help your listicle avoid being a “missticle” (pardon the pun). To help, we’ve even arranged them in a list…
1: Get the numbers right
The best listicles keep to low numbers. Ten would be an absolute maximum, but five or three would be better. Though numbers like 13 or 9 stand out, they do risk giving people the impression you couldn’t decide which ideas to use so just chucked them all in. Even numbers are fine – as this listicle from hubspot shows.
2: Watch your language
If you have 30 points, are they all “top”, “significant” or “best”? It’s important not to over-hype your article. Your readers will see it a mile off and likely vote with their feet. Take this CMI article , for example – no hype; just a promise to list some useful tools that’s then delivered on.
3: Find the thread
This is the one that can make the difference between a good and a great listicle. Even though you’re writing a list, it’s still important to find an arc that draws your reader in and gives them a reason to read the whole thing. In a list of top social media tools, for example, you might start with tools that focus on curation and finding content and move through to those that are more geared towards analytics and review. Or, as we did in this listicle on barriers to social in business, start with a surface issue and then dig deeper with each successive point.
It does take a careful bit of planning to write engaging listicles – short and accessible as they are, they aren’t necessarily quick things to write. But once you’ve got the format working for you, your content will shine.
Cast your mind back to your school days: do you remember, as you slaved away over essays, being told to avoid repetition — as if you were a contestant on BBC Radio 4’s Just a Minute? I certainly do. But repetition in B2B marketing is looked at in a whole different light. There’s almost a mantra to follow: tell people what you’re going to tell them; tell it to them; then tell them what you’ve just told them. So why do we repeat ourselves so much?
Busy readers can be distracted readers
Although your teacher was paid to read what you’d written, your busy business audience isn’t. Juggling a whole raft of things in their day, they might not be able to give your text their full attention. Using summary boxouts is a great way of repeating your message in a succinct way if your reader gets distracted, scans the document, or jumps around the text like Zebedee from The Magic Roundabout.
Reinforcing your message
You don’t want your reader to forget the key takeaways from your copy: repeating them in a number of places will help get the message to stick. Do you want them to give you a call? Invite them several times to do so. Do you want them to remember the name of the new product or concept you’re introducing? Include it in multiple places in the document.
Watch out for the risks
Knowing how to repeat is as important as knowing what to repeat: don’t just go copying and pasting entire chunks of your document. Repeating things word for word will quickly cause your audience to lose interest. Too much repetition will make your piece longer, reducing the likelihood that it will be read in its entirety. And repeating statistics can give the impression that your argument isn’t based on thorough research.
To avoid the risks, try using different arguments to lead back to the same conclusion, or phrase your key message in slightly different ways to make it sound fresh each time you mention it. There’s an art to getting it right but, once you master it, you’ll find that your messages penetrate further and stick in the minds of your audience for longer.
Here at HN we’re crazy about words (which you might have guessed if you’ve worked with us before). We’re firm believers in proper grammar and the importance of punctuation – even if mistakes can make sentences much more amusing than they were originally intended…
The dangers of ambiguity
“Grandmother of eight makes hole in one”
Without the correct punctuation and grammar, it can be hard for your meaning to shine through, and a charming story about grandparental golf can turn into something very different.
Apostrophes avoid catastrophes
Sometimes it only takes one wrong apostrophe to change a sentence: “The butler stood by the door and called the guests’ names” is a perfectly acceptable happening at a fancy ball, but if you forget that apostrophe then your butler suddenly becomes much ruder: “The butler stood by the door and called the guests names.”
The comma – a real lifesaver
Don’t believe us? “Let’s eat, Grandma!” is a perfectly reasonable thing to say, but take away that comma and suddenly the menu takes a turn for the worse: “Let’s eat Grandma!”
Don’t forget the context
Sadly, punctuation can’t always save you from eating people. Ambiguous sentences such as “the average American consumes more than 400 Africans” need to be used carefully so that your readers don’t misinterpret what you’re saying.
Don’t compound the problem – use a hyphen
Hyphenating compound adjectives is tricky business: “At the beach, I saw a man-eating shark” would be a very handy holiday warning, but if you miss out that hyphen then your warning to nearby swimmers could be misinterpreted as a commentary on seaside cuisine: “I saw a man eating shark”.
Have you got any amusing howlers to share with us? Tweet us or leave a comment – we’ll share the best ones.